FM7 takes the unique sound of Frequency Modulation (FM) synthesis to a new level. FM7 can read the complete sound library of the classic DX synths, but also goes far beyond what these classics were ever cap-able of. FM7 adds complete graphical editing, distortion and filtering, freely routable operators, extensive modulation capabilities, a comprehensive effects section, audio input, and much more. The user interface of FM7 makes it easy to explore the fascinating new possibilities of FM ΓÇö Native style.
Reproducing the FM classics
The lively, punchy and full sound of FM has had an immeasurable impact on pop music, ever since the first FM synthesizers became overnight sensations in the early eighties. Today, the special aesthetics of FM are still highly appreciated by musicians and producers in the know. FM sounds can cut through a mix brightly and clearly, and are the perfect complement to any studio. FM7 can read all presets made for the famed DX series of synthesizers (including the DX7), and can flawlessly replicate their original sounds, right down to the smallest detail.
Extended sound processing and effects
FM7 is more than an emulation. Enjoy the authenticity of the classic presets, and then transform them into something completely new. For example, each of FM7 operators offers 32 waveforms to choose from, not just a simple sine wave. In addition, a distortion operator with noise and an analog filter operator increase the sonic range of FM7 far beyond classic FM synthesis.
FM operator connections can be set freely ΓÇö you are not limited to preset algorithms. The effect section of FM7 gives you high quality stereo chorus, flanging, delay and pseudo-reverb effects.
Graphical editing
FM7ΓÇÖs advanced graphical editor offers intuitive access to FM synthesis, including a powerful analog-style Easy Edit page. The enormous sound potential of Frequency Modulation has never been more accessible for new discoveries.
FEATURES
- FM synthesizer with extended sound architecture
- Reads and exactly reproduces DX7, DX7-II, TX7, DX11, TX81Z, DX21, DX27, DX100, TX802 sound data
- Full matrix frequency modulation with 8 operators
- Sophisticated graphical editor with Easy Edit functions
- Flexible graphical envelopes with large number of stages plus looping
- 2 LFOs per voice with a comprehensive Modulation Matrix
- No fixed algorithms
- Input for external audio can be used for FM, modulation and effects
- Runs both stand-alone and as a plug-in on Mac OS and Windows
- Highly optimized for SSE (Pentium III) and Altivec (G4) processors
FM7 has 6 identical Waveform Operators labeled A to F which are the basis of FM synthesis. Each Operator is sensitive to velocity for highly expressive control over the sound. The Operator is controlled with 32-bit accuracy and its frequency can be set with 6 digit precision.
Distortion & Filtering
There are two additional Operators in FM7: The X Operator provides distortion and noise for adding grunge to the sounds. The Z Operator contains analog style filters to make the sounds warm and fat, as desired.
Presets
A library of 256 top quality pre-sets is included with FM7, putting a wide selection of standard and unique new sounds at your fingertips. With this library you can get straight to making music without the need to program any sounds.
Easy Edit
To make programming easier, FM7 has a page of dedicated analog style controllers. Here, one knob can change the sound in drastic but intuitive ways, for example by turning up the Brightness, overall Decay Time, or Effect Depth.
Waveform
Each of the Operators A-F can have a different digital Waveform. The instrument contains 32 different Waveforms, including Square and Sawtooth, giving each operator a huge sonic potential even before it is if Frequency
Modulated by the others.
FM Matrix
In the FM Matrix, the signal flow between the Operators is displayed and edited. Each Operator is represented by a box and the wires also show the connections. The output (what you hear) is the bottom line of the graphic. Each Operator can have a different stereo position to give a lively, spacious sound.
Envelope
Each operator has its own Envelope and Keyscale. The roomy display can be switched to show the Envelope or the FM Matrix. The Envelopes are exceedingly powerful, with up to 32 stages, an adjustable curvature in each stage, and sustain looping. The Envelopes can also be synchronized to the song tempo.
